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Shakespeare and Company
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Review
"In 1919 Sylvia Beach "opened an American bookshop in Paris called Shakespeare and Company. During the following two decades it became practically a clearing house for writers of this vital post-1918 period. When no publisher would touch her friend James Joyce's Ulysses, Miss Beach published it, in 1922, under her shop imprint. . . . Headquarters for the expatriate American writers, the shop was also a favorite stopping-off place for Gide, Valéry, and other faithful international friends and customers."—San Francisco Chronicle (San Francisco Chronicle)"Miss Beach's book is intimate, not scholarly, and thus full of interesting information. Her reminiscences are literally an index of everybody in the twenties, and she knew them all."—Janet Flanner, New Yorker (Janet Flanner New Yorker)
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From the Back Cover
This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D.H. Lawrence, and others already famous or soon to be.
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Product details
Paperback: 268 pages
Publisher: Bison Books; Second edition (October 1, 1991)
Language: English
ISBN-10: 0803260970
ISBN-13: 978-0803260979
Product Dimensions:
5.4 x 0.6 x 8.1 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
35 customer reviews
Amazon Best Sellers Rank:
#414,978 in Books (See Top 100 in Books)
An excellent account of the literary life of Paris in the 1920s. Sylvia Beach is likeable, has no ax to grind, and plenty to say. If you have any interest in Joyce, esp. Ulysses and the gargantuan effort that went into getting it published, this is an excellent source. She is always interesting and the book is filled with anecdotes about people we all probably know: Fitzgerald, Ford Maddox Ford, Stein and Tolklas, Hemingway, and on and on. After reading Beach's book I read Hemingway's A Moveable Feast. What a different, and disappointing book that is. He has a chapter on Beach and the bookstore, but the book lacks Beach's encyclopedic knowledge of the writers who were crafting the new writing of the day.
.Sylvia Beach's memoire shimmers with intelligence, good-natured humor, gentle discretion, and a pinch of mischief. Her love for her friends and clients is evident on every page. Beach focuses on what interests her and rarely talks about herself or the wars.Hemingway, Andre Gide, Gertrude Stein, Sherwood Anderson, Archibald MacLeish, Thornton Wilder, Ezra Pound, James Joyce; all the figures of any good Twentieth-Century Literature class appear in "Shakespeare and Company."James Joyce is the major thread around which this tale is spun, and Beach's respect for him is evident. We find him peering through multiple pairs of glasses and a magnifying glass; leaning out the window to watch bombs dropping during an air raid; trembling with fear over a big dog; taking his family to the Opera, and endlessly changing the drafts of 'Ulysses.' Beach speculates that Joyce's unusual love for and ability with words is based partly on his acute sense of hearing, highly developed to compensate for his very bad eye sight.There are very charming images of other friends and colleagues, including Ernest Hemingway and his little son " Bumby", who loved to visit "Sylver Beach's."Beach mentions being threatened by a Nazi officer who wants a valuable book from her window, but does not dwell on her panicky feelings. She merely states that her friends helped her close her shop, and barely mentions her six months in a German internment camp. She speaks little of her subsequent release and hiding place.The book ends with Liberation of Paris and the welcome sight of Ernest Hemingway who picks her up, swings her around and kisses her as people in the streets and windows cheer.A delightful book.Kim BurdickStanton, Delaware
This may be evidence of obliviousness on my part, but I'm fairly certain I had never heard anyone mention Sylvia Beach and her "lending library" until I read an introduction to The Great Gatsby (although it may have been mentioned in Kenneth Slawenski's J.D. Salinger: A Life or, more likely, John Baxter's The most Beautiful Walk in the World, but I'm still bitter over that book so I don't want to give it the credit). My ignorance is hopefully evidence of the fact that I haven't read much Joyce; I hope that if I had read Ulysses or if I had studied Joyce in school, Sylvia Beach's name would have been mentioned. Because, of course, Sylvia Beach is ultimately responsible for the publication of Ulysses.Sylvia Beach opened Shakespeare and Company in 1919, and it fast became the home base for many English-speaking writers who lived in Paris—James Joyce, Ernest Hemingway, and F. Scott Fitzgerald among them. Beach spent a lot of time with Joyce, both in the process of publishing Ulysses (which was banned in the States and therefore rejected by big-name publishers) and after its eventual success, and much of her memoir does address their friendship. But Shakespeare and Company is not in any way limited to Joyce, and that is one of its best qualities.Told through a series of anecdotes, each headed by a person's name or few-word summary of the section, the book is engaging and fast-paced. I found Beach's writing style to be fairly chatty (for its time, acknowledging that this was first published in 1956), and was quickly engrossed in her descriptions of the various people who settled on the couches in her bookstore and the many dramas they brought with them. Shakespeare and Company serves well as a descriptive and non-chronological Who's Who of the "lost generation." The best part about this, though, was that Beach didn't limit herself. With twenty-two years of material, she surveyed the best of those who visited her shop, and if she talked about Joyce and Hemingway and Fitzgerald, she also mentioned Gertrude Stein, Alice B. Toklas, Bryher, H.D., and Djuna Barnes—some of whom she claimed were among the foremost writers of their generation, many of whom I had never heard of. (I realize this review is casting a lot of doubt on my education. Whoops.) I read Shakespeare and Company with my phone open to Wikipedia, and I did a lot of research while reading. The Wikipedia pages on many of the above women (as well as some of the lesser-known male authors and others mentioned throughout the book) are fairly limited, and many of them list Shakespeare and Company among their source materials. Which leads to the question: Why has more scholarship not been done on these authors—all of whom were, based on their Wikipedia pages, very interesting? (I do wish I had more of a background on this era to uncover why that is—why study Ulysses and not Ruan? It could be down to quality, but I'm doubtful.) Regardless, Shakespeare and Company is valuable in that it does include the various lesser-known figures of the interwar period. Beach doesn't make comparisons between the authors, but she does suggest that the ones who aren't household names are as deserving of study as Joyce and Hemingway.This book would have been valuable if it had been a dry recounting of the people who turned Beach's bookstore into a center of culture in Paris, but Beach was a gifted writer herself, and she made the book very readable. Really the only flaw I found (and I might not even call it a flaw) is that at times the gossipy nature of it felt more People Magazine than The New Yorker. It was as if she was sharing gossip just to share gossip, rather than for some overarching purpose. This only bothered me sometimes, because Beach was a member of this inner circle, her shop provided the structural basis for it, and therefore her occasional shift into the role of an outsider or onlooker providing insider gossip felt a little affected. Like I said, though, in most cases I found the style of the book to be a positive thing.Overall, I really enjoyed this. I very much wish I had discovered it earlier, and I look forward to reading some of the authors Beach introduced.
I didn't expect this to be literature and I wasn't disappointed in that respect. The narration covers Sylvia's admiration for James Joyce in detail, especially in how she helped him by publishing Ulysses when no one else would. The rest are thumbnail sketches of personalities that entered her store over the years. She obviously wasn't impressed by Hemingway for reasons uncited and it's a bit disappointing in that respect, but he wasn't alone. One thing is clear, however: the years she writes about clearly indicate that all the would-be's and hangers-on who had the money for passage to Paris arrived expecting to see the avant-garde of literature when they themselves became part of the circus, a circus without a ringmaster who became part of the generation that lived without a purpose.
I have been to Shakespeare and Company. It's a fascinating place. However, I wish I could go back in time to the original store and see all of these amazing authors and musicians coming and going; and perhaps be lucky enough to have met them and spoken with them. A wonderful first-hand account by the woman who started it all. Highly recommend it!
Having been intimately acquainted with the established writers, aspiring writers, and writers manque of the 1920s and 30s Paris, as well as other personalities, Beach offers wonderful insights into these special literatti. Found it very difficult to put this book down, and didn't want it to end.
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