Ebook The Comics Journal Library Volume 8: The EC Artists
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The Comics Journal Library Volume 8: The EC Artists
Ebook The Comics Journal Library Volume 8: The EC Artists
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About the Author
Michael Dean lives in Seattle, WA. He has been an editor at The Comics Journal since 1999.Gary Groth is the co-founder of The Comics Journal and Fantagraphics Books. He lives in Seattle.
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Product details
Series: The Comics Journal (Book 8)
Paperback: 192 pages
Publisher: Fantagraphics Books; 1 edition (December 17, 2013)
Language: English
ISBN-10: 1606996088
ISBN-13: 978-1606996089
Product Dimensions:
10 x 0.7 x 12 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#1,029,176 in Books (See Top 100 in Books)
I've now had this book for about a week and while I wouldn't recommend reading it through in one sitting or in a concentrated spurt over a couple of days, it's perfect as an item to pick up and peruse, dig into and even just flip through and admire the illustrations on a semi-regular basis. The interviews contained within range in length from massive to just a couple of pages and if you have any interest in EC Comics, most of your questions about everything as to how the comics were written, illustrated, distributed and sold will be answered. It's an excellent book on the nitty gritty of the whole operation and it's elucidated on a case by case basis from the perspective of those who were there from the beginning, middle and end of EC's Golden Age. And as a bonus, this book is only volume 1 with another volume on the way hopefully sooner rather than later. Even if you're more inclined to being an admirer of art, this book has enough in the way of finely reproduced illustrations to make it worthwhile on that detail alone. It's a great supplement to Fantagraphics current series of EC reprints, as well as any other collections of EC material that has come before, whether it's the Library, Annuals, Classics, Archives, Portfolios, Artist Editions, single issues, East Coast reprints, Ballantine paperbacks, fanzines, histories or even the original issues in their virgin state. If you are a fan of EC you should have this book. Most of the contents are reprints of interviews from The Comics Journal and other sources, but there is also a lot of new material, and it's great to have all this stuff in one easy to access volume, or 2 volume set.
what can i say .. these were the best from the 1950s era when they totally turned their industry upside down with their tremendous volume of creative and illustrative output. Guided by a shining light of a comics publisher william m gaines, who allowed them total freedom to create and produce whatever they wanted free from censorship and any other influences.
This book is just EXCELLENT. I'm devouring it on a daily basis!Great stuff....I'll get Vol. 2 this summer.
If you are interested in the minds of the cartooning process at EC comics. Then look no further. It's a fine book loaded with art to enjoy along with the voices of those that drew them.
Like Classic Cars EC comics get BETTER with Age.Great cartoon history, well illustrated.
a perfect compilation with new art and terrific production values. this book meets all expectations, a true cornerstone for any collector.
EC comics has been out of business for over 50 years yet over a half century later its influence is still being felt throughout the comic book industry and throughout pop culture. In an era where most comic book art was often an afterthought to churning out as many titles as possible, EC had a stable of artists that may have been the finest ever assembled. The EC Artists features interviews with 10 of the company’s legendary talents who created some of the most terrifying and thrilling tales in the history of sequential art. While most of the interviews have been culled from the pages of The Comic Book Journal magazine, several are printed here for the first time.Among the interviews being published for the first time is a 1985 interview with EC Comics and MAD Magazine owner Bill Gaines. Gaines discusses his father Max, one of the early pioneers of comics. He talks about how he reluctantly took over EC Comics after having planned to be a chemistry teacher. He also discusses the issue of censorship which eventually forced EC comics to cease publishing all of its titles except for MAD. He specifically recalls how politicians singled out EC Comics in their crusade against the industry. This is particularly interesting in this era where the Comics Code Authority is long since defunct.Another interview being published for the first time is a 1983 discussion with the late Frank Frazetta as he discusses one of his influences, Roy Krenkel. It’s the shortest interview in the book at just a couple of pages but Frazetta interviews are few and far between, particularly unpublished ones. On the other hand, some of the interviews are quite extensive including a 25 page interview with Al Feldstein; a 52 page piece with Will Elder, and a 76 page epic with John Severin. Other shorter interview subjects include Johnny Craig, Joe Kubert, Harvey Kurtzman, George Evans, and Al Jaffee.Kurtzman’s interview was part of a convention panel from 1982 where he talks about transitioning from working on war titles to becoming the driving editorial force behind MAD Magazine. He also discusses the origin of MAD mascot Alfred E. Newman. Al Jaffee MAD’s oldest living contributor and continues to do his famous back cover fold-ins. Jaffee talks about working for Stan Lee as an Associate Editor and writing and drawing Timely Comics’ Patsy Walker title before joining MADThe extensive 1999 interview with John Severin covers the artists entire career and covers subjects as diverse as working at the Joe Simon/Jack Kirby Studio; the years at EC and the various titles he worked on; going to work for Stan Lee at Atlas/Marvel when EC folded; and working for other companies such as DC, Harvey, Classics Illustrated and Charlton.These are recollections of a bygone era of comics that is vastly different than what we have today. These talented men helped to create some of the most memorable comics in history and their stories are the next best thing to having been there yourself.
Excelent!I recomend it!
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