Ebook Free The War: A Memoir, by Marguerite Duras
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The War: A Memoir, by Marguerite Duras
Ebook Free The War: A Memoir, by Marguerite Duras
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From Publishers Weekly
In Nazi-occupied France during WW II, Duras (The Lovers; Hiroshima, Mon Amour was a major figure in the Resistance. During the chaos attending the liberation of Paris in 1944 she wrote a diaryhitherto unpublished and long-forgotten by herwhich forms the opening and major segment of this short, memorable book. Here, unrevised, in vivid staccato prose that sears with its emotion, is an account of her agonized waiting at the Gare d'Orsay and elsewhere for the arrival of her husband, Robert L., who (she learned from Resistance contacts including "Morland," in actuality Francois Mitterrand), was among newly liberated POWs found in Belsen and other death camps. That Robert L. arrived home more dead than alive proved devastating to Duras; it will strike readers no less powerfully. This volume, which includes with the diary war recollections treated as stories and an account about a Gestapo agent in Paris, rates a special place among WW II memoirs. Copyright 1986 Reed Business Information, Inc.
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From Library Journal
This memoir comprises four autobiographical and two "invented" sketches set in Paris during and after the Liberation. The finest, which Duras says lay forgotten for years, dramatizes the French author's agonizing vigil for her husband Robert. When he returns from Belsen a living skeleton, she endures a struggle even more agonizing to nurse him back to life. Eventually Duras announces that she is divorcing him. "He didn't ask me my reasons for leaving. I didn't tell him what they were." Other sections detailing Duras's activities as a member of the Resistance are written in the same stark, unadorned prose that distinguished her novel The Lover ( LJ 6/1/85). Highly recommended. Grove Koger, Boise P.L., Id.Copyright 1986 Reed Business Information, Inc.
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Product details
Hardcover: 183 pages
Publisher: Pantheon; 1st American ed edition (March 12, 1986)
Language: English
ISBN-10: 0394552369
ISBN-13: 978-0394552361
Package Dimensions:
8 x 5 x 0.9 inches
Shipping Weight: 11.2 ounces
Average Customer Review:
4.1 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#449,403 in Books (See Top 100 in Books)
The original French title, La douleur (Suffering) is far more appropriate to this masterpiece of French literature. Unfortunately much of her genial work has yet to be published. I can't recommend this gut-wrenching "memoir" enough. I would also encourage readers to read some of her novels. Preferably in French. War is her most accessible writing, so I've purchased many copies of the English translation for family and friends. None has been disappointed.Disclaimer: I'm an avid reader and literature professor, and Duras is my favorite author. Faulkner comes in a close second.
There is not any person over 13 that should not read this book. Duras is understated and poise as she conveys the emotional tyranny of a collective loss of freedom and an inexplicably decent man whom she brings back to life. It is not possible to say too many good things about the book.
Duras' writing can be painfully self-involved,examining emotions and intellectual reactions to emotional states until the reader feels suffocated. The War: A Memoir is no less personally intense, but the subject is the author's experiences during the Nazis occupation of Paris. Her brutal examination of her trials and the suffering of her fellow Parisians is riveting. Her painful honesty helps the reader to answer the question, "What would I have done?"
I really enjoyed this book in my History of France class
Great book.
Product as described and shipped quickly.
Hopefully before, but certainly after, reading Duras' fictionalized version of her "struggles" in the cafes of Paris during WWII, you should read her husband's memoir: "The Human Race" by Robert Antelme. Antelme was the real hero, the one who suffered in the Nazi prison camps for espionage. After reading Antelme, Duras' complaints of her repatriated, dying husband's weird-looking and foul-smelling poop, while Duras can't wait for him to recover so she can divorce him to be with her new lover, are simply appalling in any era. I wish I could say to her face what a duplicitous bitch she is. Duras never suffered. She perhaps collaborated. Her husband's story is the one you need to know.
"Memoirists who reveal turbulent pasts are faulted for exhibitionism," writes Greg Lichtenberg in his essay, "Life is also Here: Toward a Manifesto of Memoir," while those with superficially quiet lives are blamed for having no story." Marguerite Duras has a profound story to tell, whether it's exhibitionism or not. Her intent, which has a much larger scope than a memoir with the structure of a simple diary, seemes to be to humanize and personalize the wartime chaos and utter dehumanization of 1940s France under Nazi domination. She sets a record about the Holocaust. She makes a monument rather than writes a diary. This is why her memoir rises above those that Lichtenberg criticizes, those that "seem a pornography of emotions, offering up whatever excess of misery will provoke a fleeting response"; what he calls, "a talk-show between book covers." The War is crafted not written. You won't find mind-numbing cliches but only imaginative language. And the language will move you.
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