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The Stranger
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Amazon.com Review
The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy. The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable. Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson
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Review
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie
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Product details
Series: The strager
Paperback: 123 pages
Publisher: Vintage (March 13, 1989)
Language: English
ISBN-10: 9780679720201
ISBN-13: 978-0679720201
ASIN: 0679720200
Product Dimensions:
5.2 x 0.4 x 8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
1,638 customer reviews
Amazon Best Sellers Rank:
#1,885 in Books (See Top 100 in Books)
This is a very unique novel. In a way, to me anyway, "The Stranger" is the novel itself. There is a great economy of words in this short novel. I am quite positive that is meant to convey a sentiment and / or a philosophy. To me, it did both. I cannot say I really love this novel. But I did feel it is a great novel.Part of the problem I have in this review is not wishing in any way to be "a spoiler". In any event, this book is written in a very sparse manner. There are times the protagonist is devoid of feelings and I think that the author conveys that in this arid style. I need to state that I was left disconcerted about the similar lack of description of one character that died in the novel. It seemed cold and dehumanizing to THAT person that I did not appreciate.This next part RISKS giving something away about he novel. If one is interested, one may wish to read the novel first before reading the next part of this review.This novel was written in 1942. France was occupied by Germany. The question in my mind is "Did Camus feel like an outsider in his own country?"So what? Good question... Well in 1940, Richard Wright authors an excellent African American Protest Novel, "Native Son". Clearly Richard Wright was trying to convey the anger of an African American who may feel an outsider in his own country. Stylistically, Richard Wright is much more descriptive. His novel is perhaps twice as long as The Stranger.Native Son has a "third person" narrator. The Stranger has a "first person" narrator. This may be an important difference as a reader cannot be really sure of all of the innermost thoughts of Native Son's, Bigger Thomas. However I was struck by what I perceived to be a similarity between the perceived feelings of Bigger Thomas, especially at the end of the book, and the stated feelings of the protagonist in The Stranger.(SPOILER ALERT) But please compare the visits to the two prisoners at the end of each novel.Above I stated that I felt this is a great novel, that I did not love the novel. Again, I feel the same way about Native Son. Native Son was much a more painful reading experience for me personally. But otherwise, I cannot help but be struck by my similar reaction to both novels. Thank You...
Monsieur Meursault is a French-Algerian: his mother (Maman) has just died and he attends her funeral. That event is the axis about which the story turns - not so much the physical attendance or even the external events of the funeral, but rather Meursault's psychological reaction to her death. The reader is left to deduce their own 'connections' between the death of Maman and the events that follow - which will ultimately lead Meursault to the guillotine.The story is full of metaphor and discovery: the sun and light and heat bristle throughout the pages of the story. "She said, 'If you go slowly, you risk getting a sunstroke. But if you go too fast, you work up a sweat and then catch a chill inside the church.' She was right. There was no way out"The book is short (125 pages) and written in the short sentence, staccato style of writers like Hemingway. The read is easy but the meanings are deeper than the words on the page. By the end the effect is a story told in the detail of two or three times the pages that Albert Camus uses. It is clever and thought provoking and well worth the read!(Matthew Ward translation)
The first novel I’ve read in ages, I was exposed to Camus by a Goodreads reviewer. Much later a bracing audio series by The Great Courses and Robert Solomon arrested my interest. Without both, I’d not have liked the book as much. Camus writes a metaphor. With exception of the value nature has for the main character, Meursault—colors in the sky, smell of the countryside, sea spray in the air—the metaphor is for meaning in life through emphasis of its absence. “Marie came by to see me,†says Meursault, “and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted. Then she wanted to know if I loved her. I answered the same way…that it didn’t mean anything but that I probably didn’t love her…[but] if she wanted to we could get married.â€Then there was the obliviousness of Meursault. While listening to a lawyer prosecute him for murder, Meursault thinks to himself, “Of course, I couldn’t help admitting that he was right. I didn’t feel much remorse for what I’d done. But I was surprised by how relentless he was. I would have liked to have tried explaining to him cordially, almost affectionately, that I had never been able to truly feel remorse for anything. My mind was always on what was coming next, today or tomorrow.â€Â But the trial isn’t really about the murder, so much as it is about Meursault, and how dangerous is his potential to show people they invent meaning, and that they can just as easily uninvent it. As the lawyer says of Meursault’s empty heart, it is “an abyss threatening to swallow society.â€Â Finally in prison, awaiting “my head cut off in the public square in the name of the French people,†Meursault begins to realize what gives life value is its brevity. He never thought much about death, other than when his father returned home from an execution (funeral?) to vomit from the experience. “I blame myself every time for not having paid enough attention to accounts of execution. A man should always take an interest in those things. You never know what might happen…How had I not seen that there was nothing more important than an execution, and that when you come right down to it, it was the only thing a man could be truly interested in?â€Â According to the audio series, Camus meant to create a mirror for the reader to see themselves. It worked.
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